Saturday, October 30, 2010
Friday, October 29, 2010
Summary of Discussion on Wednesday, October 29, 2010
Thursday, October 28, 2010
Tom and Chambers
Title
Seeing Double
Nature vs Nurture
So overall I think nurture has a lot to do with the development of ones character. I know that it is a personal decision and I don't expect everybody to agree with me, but if they did it wouldn't make for very good discussion, would it?
The "Detective Side" of Pudd'nhead
I don't know about anyone else, but personally, I have LOVED "watching" Tom squirm whenever he thinks someone might be onto him and his raiding, or now, that someone might suspect that, gasp! he's got African American (slave) blood in him. I think the scene I have enjoyed so far in this novel is when Wilson reads Luigi's palm. First of all, it is extremely ironic that even though Tom is ridiculing the art/science of palmistry, the twins actually help out Wilson by making it known that it is in fact practised and is know to have some truth in it. Therefore, Tom's own plan of ridicule and mockery ends up backfiring. In addition, Tom's quotation on page 54 basically makes it clear that, at least in the case of palmistry, he could be found out at any time. The quotation reveals, "It beats anything that was ever heard of! Why, a man's own hand is his deadliest enemy! Just think of that--a man's own hand keeps a record of the deepest and fatalist secrets of his life, and is treacherously ready to expose him to any black-magic stranger that comes along." Tom is obviously extremely worried and afraid that he is unsafe from eventually being discovered as the culprit, both of more gambling and for raiding the town, but especially being discovered as being Roxy's son. Between WIlson's fingerprint collection and now his palm-reading, Tom is probably soon going to be put in a corner too small for him to squeez out of again.
Lesson Learned on Individual Liberty
I found this series of events to be a particularly good lesson on the idea of individual liberty. The US Constitution does not grant and protect our rights based on what groups we are in - it does so because we are individuals. As individuals of God - or nature - we have certain unalienable natural rights that no man or government has the power to take away. However, when people become classified into groups, they lose their individuality. They are no longer citizen Tom, they are just a member of the group. This can have disastrous affects, because historically civil liberties have been abused by governments by classifying people in groups (ie Jews, Blacks, etc). This concept should be kept in mind as we view the world around us. Be cautious of the way we view groups. We are all individuals who have the same rights. Rather than viewing a fellow classmate as black, white, gay, or something else, view them as who they are - an individual human with unalienable rights.
Mark Twain: Racist or Brilliant Author?
Before I elaborate on that, it is necessary to relate the argument of nurture vs. nature to the plot of the novel. I believe in this novel Twain is making the very controversial statement that nature does not influence who a person is, rather his environment determines his personality and his character. The argument for nurture, in this case, makes the claim that the intrinsic nature of a person, the biology of a person, in this case the skin color of a person does not determine who he is. From this, it follows that slavery on the basis that nature is determinate (of worth, intelligence, class, etc.) is flawed, which is the point I believe Twain is trying to make in this novel.
For the purpose of exaggerating the effect of nurture on character, Twain must include two conflicting characters, two very opposite circumstances, and two resulting characters that are typical and indicative of their environment. The new Tom must be a brat because it exaggerates the stereotype of white males. In contrast, Chambers must be very subservient and good-natured because it exaggerates the effects of slavery. The two exist as extreme polar opposites to highlight the effects of the nurture on two boys who, at the beginning of the story, our detailed as being identical and even referred to as the same. The fact that they start so similar, but end up so different, is the point of this novel. , evidence against Twain’s racism exists in the fact that the child brought up by the white family is spoiled; while the child brought up by the black family is moral.
Also, the fact that white characters have better qualities than black characters is just an aspect of the plot that cannot be avoided. Pudd’nhead Wilson cannot be black, or else he would never have, in that time period, been able to enjoy his strange habits, get an education, or start a practice. I think the qualities of Roxy’s character are also central to the plot development. The fact that she is not very smart, and slightly immoral allows her character, her personality, to support Tom’s criminal behavior and to allow the switch to occur in the first place. To me, these characters exist as they are because they serve a purpose to the plot, and they exist as they are as some particular race also to support and progress the novel.
The social construction of race
Twain and Religion
Wednesday, October 27, 2010
labels, labels, and more labels
Twain- The Reluctant Racist
Twain was raised in a society where it was almost considered scientific fact that non-whites were in some way inferior to caucasians. Even liberal, forward-thinking northerners who abhorred slavery and worked to end it usually did not believe that blacks were completely intellectually, physically, and morally equal to whites. Though Twain was certainly open-minded for his generation, he probably would have some small prejudices in the back of his mind. We can see this in the novel through the characters. Chambers AKA Tom is considered racially black, and he is probably the most morally corrupt character, caring little for others and actually behaving maliciously towards all. His mother Roxana is the only other non-white main character, and she is sneaky, somewhat unintelligent, and altogether unimpressive. The most morally sound and upstanding characters are Pudd'nhead Wilson and Tom AKA Chambers, both of whom are purely Caucasian. Maybe a coincidence, but I think this division shows what Twain unconsciously thought of non-whites.
While it is notable to consider the idea that nurture, or their upbringing, crafted fake Tom into a despicable person and fake Chambers into a moral one, this doesn't really make sense in the context of the novel. Tom was raised in the same manner as his uncle York, of whom he is put under the care of when his "father" dies. They both were wealthy white men, descended from the First Families of Virginia, practically considered nobility at this time. However, his authentically white uncle turns out to be a relatively fair and good man, while Tom is simply selfish. On the other hand, Chambers is treated in much the same manner as his fellow slave Roxana, but he turns out much more considerate and respectably humble than her. This shows how, although Twain certainly wanted to be a free-thinking, liberal man, he inevitably tended towards a slightly racist perspective.
Discussion Summary
The most interesting thing to consider, I think, is the question of nature vs. nurture and how it pertains to Pudd’nhead Wilson. If Roxy had not switched the children at birth would their personalities remain similar and the only thing to change would be their names and status or would everything be switched, names personality, and status. Also, what exactly which one did Mark Twain have in mind when writing the book. If it is a critique of slavery, than he probably intended for the reader to believe that it is nurture that is more important and ultimately what caused the children to develop the way they did. However, as Ms. Ross said on Monday, not everybody sees the slavery critique and so some people may assume that the children’s personalities are as they would have been had they not been switched. Another interesting part was “Tom,” who is actually the real Chambers, reaction to finding out he is a slave. It seems to change the way he sees himself, his “father,” the other slaves, “Chamber” (who is actually Tom). But this changed view doesn’t seem to last. His life returns back to relative normality and he goes back to St. Louis to gamble again. Has he actually changed or was it only the shock of first finding out that changed his view of slavery and now that the shock has faded he has gone back to being his normal self.
So the discussion was mainly people talking about their personal opinions on nature vs. nurture and how that caused them to interpret the book differently. I think that what we really should focus on is finding evidence in the text to suggest that Mark Twain was intending for nature or nurture to play a bigger part in Tom and Chambers personalities. We also touched on labels and how even though they identify a certain person as belonging to this group of people or that group of people that does not mean that the person innately belongs to this or that group. A lot of people in this book are placed into groups that they don't really belong in because of the labels that they have received from those around them or labels that they have placed upon themselves.
Sunday, October 24, 2010
Mystery Enjoyment
Saturday, October 23, 2010
Gender Stereotypes in A Jury of Her Peers
Friday, October 22, 2010
A Jury of Her Peers a.k.a Let's Help Our Oppressed Sister Get Away with Murder
Elementary, My Dear Watson
Thursday, October 21, 2010
I Miss Encyclopedia Brown...
Holmes and Mrs. Hale
Same but different, sorta kinda, but not really.
These two ladies are not detectives; they have no intentions of solving any crime whatsoever. One is there to collets the items for Mrs. Wright the other is there to keep her company. Mrs. Hale even states as they converse about the quilt, the bird, and cats “If they’re going to find any evidence, I wish they’d be about it, I don’t like this place,” Pretty Ironic. It is by luck that they come across the clues they do find and by female intuition that they piece the puzzle together. So in their case they were two non-detectives who assumed what had occurred, a mystery solved unintentionally. If the story had started out stating that the two ladies were going to take it upon themselves to find out what happened there would have been a drastic difference in the story but maybe it would have read more like the Sherlock tale.
I don’t believe that if Sherlock had been put on the case of the murder of Mr. Wright and had come to the exact same conclusion, that Minnie Foster had suffocated the life out of her husband to avenge the death of her beloved bird, he would have hid evidence in an effort to keep her out of prison. I believe that regardless of how he felt, he would resist the temptation to play the role of juror and kept to his role as detective.
But that brings up another point; Sherlock wouldn’t have done so because his profession demands that he stay impartial. But Helen and Mrs. Peters aren’t professional detectives, they’re housewives. Housewives just like Mrs. Wright who empathized with what she was going through because they were going through or had gone through similar events to a lesser degree.
Detectives and Gender
Sherlock Holmes' Character and a Symbolic Bird
I enjoyed reading the suspenseful and engaging short stories, especially after completing Northanger Abbey. While reading “The Adventure of the Speckled Band,” I was surprised by Sherlock Holmes’ final reaction after he and Dr. Watson found Dr. Roylott dead in his room. Sherlock Holmes stated that he knew a snake was the cause of the problem before ever going into Dr. Roylott’s room (158). For some reason, I find this hard to believe. Even though the evidence did prove that a snake caused the deaths of both Dr. Roylott and his daughter, I cannot see how Sherlock Holmes would have been able to determine this without first examining the room. As a reader, this allows us to better understand Sherlock Holmes’ character and personality. I believe Sherlock Holmes was trying to make himself seem like a better detective by telling Dr. Watson that he always knew a snake was at the root of the killings.
In our discussion in class yesterday (10/20/2010), we discussed the bird as being a symbol in “A Jury of Her Peers.” First, we discover that a bird was missing in the Wright house and that its cage had been forced open (273). Next, Mrs. Hale and Mrs. Peters find the dead bird covered in silk inside of a box (276-277). I believe that this bird was killed by Mr. Wright in order to anger Mrs. Wright (Minnie Foster). Mr. Wright killing the bird symbolizes the dominance he felt that he possessed over his wife at this time. Therefore, I believe Mrs. Wright then killed her husband as an act of retaliation to show that women are equal, if not superior, to men.
Up next: "Jury of her Peers" only on Lifetime, televison for women
Going back to the men, I feel like their role was to make the women look smarter. The point of any Lifetime movie is to empower women, so to have the men be so dismissive of Mrs. Hale and Mrs. Peter really contributed to this feeling. When the men were basically poking fun at the women for studying the quilt, it made them look like arrogant jerks. They felt that they were doing important work by looking for clues in the bedroom and the barn, but they failed to notice all of the minor inconsistencies that turned out to be crucial in the end. Had they not been so condescending to the women, maybe they would have been willing to share their some of their thoughts. So yeah, this could totally be on Lifetime!
Sexism in A Jury of Her Peers
Concrete vs. Fickle
To go off of what we were talking about in class yesterday, I noticed another distinction between male and female detection in the stories we read. The female detection seems to be so much more inferior and doesn't matter as much. The evidence Mrs. Hale and Mrs. Wright found in "A Jury of Her Peers" didn't appear to be as concrete as what Sherlock Holmes found. One large distinction is that Holmes' answer and solution was clear whereas the truth of the case in "A Jury of Her Peers" was implied but never confirmed.
I think this is to place an emphasis on the concreteness of masculinity and the supposed fickleness of women (according to the general stereotype). Someone in class yesterday mentioned that the traditional roles and stereotypes were displayed in the two stories, and I agree. The conclusions in each story played more with the generalization of men and women. Holmes was focused on discovering facts and getting to the truth of the matter and Mrs. Hale and Mrs. Wright were more emotionally invested in what they found, though they were not searching for clues like Holmes was. The women did not come to immediate conclusions and it could be said that this demonstrates fickleness and lack of concreteness in decision making and reasoning.
Saturday, October 16, 2010
Blog Summary
However, Jasmine and Julie both like Catherine and think her to be someone relatable and just not yet old enough to understand social graces. They also believe her to merely be extremely tolerant of those people around her. Kristel also agrees in terms of Catherine being more a subject of a coming-of-age novel, like Ned and Clara were.
My questions are this:
• Though we have discussed it many times, is it partial to think that, even at age 17, we are unable to pick up on social graces? Does the time period excuse Catherine of this at all?
• What about this “stark indifference?” Does Catherine really go from one extreme to the other?
• Now that we are done with the novel, do we find it at all more relatable?
• How do the letters exactly fit into point of view, and do they help Catherine realize the true characters of her friends now that she is not influenced by their presence?
Friday, October 15, 2010
Blog Summary
Also both Maria and Holly posted on the subject of narration. Holly posted expanding on our discussion on Wednesday about point of view, saying that the narration is Northanger Abbey is that of a third person limited where the narrator is focusing on Catherine’s thoughts. Maria posted on a different aspect of narration saying that maybe the narrator makes Catherine so average and plan in order for her to be easier to relate to for the audience. Abby posted a close reading of a paragraph from page 137 comparing Catherine’s newfound appreciation for the hyacinth to her newfound understanding of relationships and love. While on the other hand her under appreciation for the rose might stem from the fact that one cannot learn to love but has to discover it themselves rather than learn to love. Tate discusses the definition of a heroine and how Catherine does not fit the conventional definition of this term. He also mentions that there is not an opportunity presented in the book for Catherine to step up and become a heroine or “save the day.” Last but not least, Kristel discusses how every book we have read up to this point, including Northanger Abbey, have been coming of age stories. She compares Northanger Abbey to high school and how Catherine’s life seems like a coming of age high school story.
Thursday, October 14, 2010
Coming of Age? Again...?
Catherine follows rational expectation theory
Prior to arriving at the Abby, Catherine's only information on such places is from novels - particularly Gothic novels that describe mysteries and murders in such places. While novels are by no means a credible source, the credibility of the information is irrelevant. What is important to rational expectation theory is that Catherine uses all available information to her before making a future forecast or expectation. Because Catherine's only information on castles and abbys are through novels, she is still being rational by expecting the Northanger Abby to have similar properties to those she has read about.
Furthermore, when Catherine is on the carriage ride to Northanger Abby, Henry gives her more information on what the abby is like. He tricks her into thinking it is a spooky and dark place. Catherine takes this information into account, as evidence of the fact she searched for the things Henry described as soon as she arrived into her room. When Catherine finds a dresser that matches the description of the one given by Henry, she assumes his information to be credible and in par with every other peice of information she knows about abbys. She then comes to the conclusion that something dangerous is happening and gets super suspicious. Once she realizes that thee is nothing of interest in the abby, she sees her error and becomes so embarrassed and chills out. Was what she did stupid? yes. Irrational? no.
ps does anything happen in this book?
That's what I get...
I kept on waiting and waiting for it to happen but it never did. I thought the women on the cover were Isabella, Catherine, Eleanor, and Mrs. Allen. Nonetheless I was wrong. But as the conversation we had regarding this was about the power of literature within the story, it still holds true.
There the obvious one, Radcliffe's Udolpho, of which Catherine indulged in a little too much and fell in love with the ideas withing the book. In the initial days of her stay at the abbey it felt as she were longing for something to happen in the way of horror/suspense.
Then there were the washbills that Catherine found in the guest room. It was a bit corny but I found it funny that things were kinda happening to Catherinealmost exactly as Henry had described in his oracle-like predictions he had made in jest on their way to the abbey. The notes had a sense of power in our/Catherine's not knowing of what they were. The fact they they could have contained the whereabouts of the Holy Grail or,as was the the case, nothing at all created a suspense both we the readers and Catherine the character could experience.(133-134)
Then there were the letters written. They themselves became the narrator at times. In this time-period the fact that letters were the dominant and most conventional means of communication, and that one had to wait days for a response alone would magnify the level of importance and suspense. The letters written offered us the emotions of both the writer and the reader. The characters also put forth their personalities in their letters. Catherine and James are truthful and polite, whereas Isabella's and Gen. Tilney's are disingenuous.(159,170,186,198)
Action? Please?
Another thing that made this story difficult for me to relate to is the fact that nothing happens, as we discussed in class the book is not-action oriented. Honestly I feel that that is an understatement. Every time that Catherine created some sort of situation in her mind, like in the novel she was reading, I found myself getting really excited that maybe some sort of crime was going to be discovered. While in the back of my mind I was thinking, wow she is being really dramatic there was a small part of me that wanted it to be true, just so there was some action in the book. While I did find it slightly more interesting when they transported the story to the Abbey, but with the change of scenery nothing really dramatic happened. However I still have about 15 pages left to read, so maybe before the end someone will die and Catherine will solve their murder. One can only hope.
Stop Hating on Cathrine!
Catherine is AWESOME!!
Catherine You Are So Dumb. You Are Really Dumb, Forreal.
When we are first introduced to Catherine, our general perception of her is that she is oblivious. To be more specific, Catherine is unaware of subtle social cues, and subtle suggestions that provide insight into characters and relationships.
The first example is her inability to realize John Thorpe’s feelings for her. When Catherine is in the company of John Thorpe, the circumstance is akin to a “double-date” of sorts with Isabella and James. His overconfidence and inconsistencies are typical of a man trying to impress a woman, however Catherine is not familiar with this kind of behavior, and is thus unable to identify it as such. To the reader, John Thorpe’s insinuations about marriage to Catherine blatantly suggest his wishes. Coupled with his “fidget[ing] about” and his being “wholly self-occupied” (100), it is clear that John Thorpe loves Catherine. He says, “And I hope-I hope, Miss Morland, you will not be sorry to see me” (101). To which Catherine innocently replies, “Company is always cheerful” (101), completely disregarding any reference to his person in particular at all. When she is informed by Isabella of John’s feelings, she responds with “all the earnestness of truth (113) that “[she] never was sensible of them for a moment” (113).
On the other hand, once Catherine arrives at Northanger Abbey, she goes from suspecting nothing, to finding reason to suspect in the most trivial of matters; from something as simple as suspecting a chest (129) or a drawer (134) to concocting this extraordinary scheme of the murder of Mrs. Tilney by General Tilney. Once Catherine discovered that the late Mrs. Tilney’s portrait did not hang in General Tilney’s bedroom, Catherine concludes, “Here was another proof” (143). Furthermore, she decides that “he must have been dreadfully cruel to her (143)! More ‘evidence’ is found when General Tilney prevents her entering a particular room (147), for the room is most definitely where “the dreadful scene had passed” (147).